In order to overcome this inertia, a further step must be taken:, the square. The circle must be further divided into four quarters, resulting in the cross of action. Vision must become action; purpose must carry the sword of decision; mind must summon will in order to fight for the triumph of creative thought over inner and outer inertia. The Three becomes Four; the trine leads to the square - otherwise it degenerates into the sesquidrate, a 'reactionary' aspect which we will discuss in both its positive and negative dimensions later on.
For now let us say that in relation to the challenge of moving from the trine to the square, the sesquiquadrate operates in much the same way as the quincunx did in relation to the transition from opposition to trine. At this stage, as at the opposition, one can also experience defeat - the defeat of the idealist or dreamer who fails to break through the 'shoulds' or taboos of past traditions and through discouragement, fears or a sense of futility.
Ideally, the fully awakened consciousness opposition is so fascinated by its new vision or the 'incarnation' of meaning trine that sheer conviction or devotion carries it through the fear or inertia. If such a vision fails sufficiently to take hold of the consciousness, what results is a period in which one has to struggle - or re-struggle - through the inertia, inner or outer, blocking the transition between trine and square. The Square. The next step leads to the square aspect. Geometrically, dividing by 4 produces the cross within the circle, a very potent symbol which has been used in all eras and by all religions or techniques for psycho-spiritual integration.
More will be said later on concerning the astrological grand cross formed when two interplanetary oppositions mutually bisect each other producing four squares. For now let us say that the cross within the circle stands essentially for the focusing of universal energies through a particular bi-polar form. The circle represents the lens, and the cross drawn through it the means to focalize with extreme accuracy the image projected.
We find such a figure on camera or telescope lenses, and it also constitutes the essential structure of a birth-chart. In the birth-chart, the meridian is analagous to the spine of a human figure standing with open arms; the line of the arms symbolizes the horizon. Although much has recently been made of the rise of kundalini power from the base of the spine to a spiritual center at or above the crown of the head, the line of the spinal column can also be considered a channel through which spiritual energies descend into the human form.
As they do, they are symbolically distributed through the figure's outstretched arms; through them the descending spiritual energies meridian are made to permeate in an individual way a particular field of being defined by the horizon. The cross within the circle is thus a symbol of concrete incarnation, of the actual form given to what previously existed at the level of vision or archetypal Idea trine.
Likewise, the geometric square constructed by linking with straight lines the four arms of the cross has since time immemorial been a symbol of solidity, of actual, material form. In its negative aspect as a square inertially resting on its base, it may refer to the imprisonment of spirit in matter.
A more positive meaning has traditionally been given to the swastika, a whirling cross as indicated by small lines trailing from each arm pictured poised in mid-motion, balanced on the tip of one arm. The incarnation of spiritual energies symbolized by the square aspect is thus not only concrete, but always moving from one stage of equilibrium to the next; it is a symbol of incarnation in action. Such a meaning becomes more apparent when we consider the square as an opposition divided by 2.
We have seen that the opposition is produced by dividing the whole circle by 2, and further division by 2 produces the square. Generally speaking, division by 2 establishes a contrast or rapport between subject and object, spirit and matter, self and not-self. Wherever this operation generates a new aspect, we will find that what was mostly subjective activity becomes a type of activity in which some objective factor is a strongly influential factor.
At the level of the square, this objective factor is the heavy, inertial, and sometimes unworkable nature of matter, against which the subject must summon his will to impress upon it the vision conceived under the trine. In the first or involutionary half of a cycle, the square precedes the trine. It represents the need to clear the ground of all obsolete structures before the building operation of an integrated, harmonious way of life can begin in earnest.
At the level of involution, such integration can only be intellectual and compulsively or instinctually actional; and it can only be achieved after the severance or decision challenged by the square has been successfully accomplished.
- THE SEPTILE : THE PLANETARY OCCULT ASPECT OF ASTROLOGY.
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In the evolutionary series, the square follows and builds upon the trine - i. It represents the stage at which concretization of the ideal or idea envisioned at the trine is necessary and possible. While it is possible and quite simple to differentiate between a waxing and waning square in a birth-chart, it is not possible to know from the chart if a particular waning square is evolutionary or devolutionary. For a 'last quarter' square to be interpreted as evolutionary, the person in whose chart it appears must be able in life to positively relate its meaning to the opposition or Full Moon that preceded it - that is, to the beginning of real awareness and individualized consciousness.
Like all aspects in the evolutionary series, the square refers to a definite, differentiated stage or level of consciousness and potential achievement. By contrast, an aspect in the involutionary series is not to be considered a definite stage of consciousness or potential achievement per se. Rather than a set reality which is latent and which must be actualized, it represents the beginning of a new phase in the gradual focusing of power released in an initial act the conjunction or New Moon. What counts most in the first hemicycle is what occurs between aspects, i.
When, in the evolutionary second hemicycle, one considers aspects the results of dividing the circle - which is now seen as a whole - what is important is the station reached as the result of the dividing operation. It represents a set and definite category or level of human activity or realizations.
What is significant during this hemicycle is the use to which are put the ability to understand ever more inclusively trine and the ability to act in an increasingly focalized and effective manner square. What matters is the overall meaning one gives to a certain capacity represented by the aspect in one's life, what one makes of and produces with that capacity. The trine thus symbolizes the capacity for an ideological or visionary type of activity; the square follows up with an architectural type of activity in which a concrete model is built - for example, the by-laws of an organization, the musical score of a symphony, the plaster model of a building, etc.
Then comes the task of actually demonstrating the power to formulate the plan for others. The level of creative formulation is reached: the quintile. Before proceeding to consider the quintile, we should first try to integrate for practice what has been said so far regarding the opposition, trine and square.
Understanding Septiles–Your Input Needed
To do so before leaving the sguare category is most appropriate, Insofar as the vision or purpose for action conceived or received under the trine should be anchored - at least in intent - to the physical world at the square. When looking at the overall pattern of a natal chart, we should consider any oppositions in it as dividing the field of experience represented by the houses into two.
Aspects crossing an opposition and thus bridging the two hemicycles divided by it can reveal the best way a person could include and begin to integrate in life the basic relationship or confrontation internal or external represented by the opposition. When trines cross the opposition and link the two hemicircles thus divided, they indicate the capacity for including in understanding the two polarities of the opposition; squares indicate the necessity for an actional solution to the problem.
Although traditional delineations prize the presence and abundance of trines in a horoscope, from the overall, process-oriented and therefore cumulative point of view we are presenting here, it is not important whether or how many trines appear in a chart. Any evolutionary aspect other than an position or a trine itself implies the level of the trine having been reached some time in the past - although it is probably best not to consider this 'past' as merely personal history or even from a personal reincarnational point of view.
When they are connected to squares, they may reveal the nature of the vision - thus what is possible - underlying a challenge to action in a person's life; or, for a person having difficulty meeting some life-challenge, they may reveal what - could be a source of strength and inspiration. Trines can also reveal how basic life-confrontations or relationships represented by an opposition can be most meaningfully and productively understood.
One may of course interpret such a strange feeling by accepting the hypothesis of reincarnation. But the conception of reincarnation can be understood in several ways, and not only from the more or less popularized point of view current today. In any case, we can say that our present is at least partially conditioned by the past - by the past of our parents what they have experienced and the way they have responded or reacted to it as well as their 'unlived lives' , by the ancestral traditions and prejudices which have been stamped upon our receptive minds in early childhood, and by.
From this point of view, we can see that what is usually called a 'kite' Diagram can be a particularly constructive configuration, and this will become clearer when we study the sextile from a geometric point of view later on. For now, we can see that the basic polarity AB is resolved in each hemisphere through C and D, while the relationship CD bridges and concretely links the two hemispheres divided by AB.
If either C or D were to be in waning square to a fifth planet E , or if a T-square were to be formed by a planet F squaring both A and B, a configuration particularly dynamic and potentially creative of concrete results is produced. All configurations in birth-charts are not so neat and symmetrical, and yet all aspects in a chart - especially major and basic ones like oppositions, trines and squares - are related to one another, if not directly and geometrically, in terms of the actual interrelationship of functions and activities in a person's actual life-process.https://nitcostnutinry.gq
Planetary Geometry in Magi Astrology - Magihelena | Magihelena
The reason an astrologer studies aspects from an overall, process-oriented perspective is to train the mind to respond to and think in terms of principles of universal and human development. As a result, the practitioner sees meaning not only in the geometric and symbolic aspects of a natal chart, but also in what becomes to him or her the transparent and also symbolic, dynamic aspects of the client's life and being. The Quintile. It is produced by dividing the whole circle into five segments.
This operation results in a pentagram, pentagon or five-pointed star. These stand as symbols of creative or "five-limbed" Man. The five-pointed star is an expression of Man's 'starry' the literal meaning of the term astral being. In traditional symbolism, the star is considered in two aspects: one, the upward-pointing star, and the other down-pointing.
The latter identifies the 'fifth limb' with the sex organ, through which the power of biological generation is expressed; the former identifies it with the spiritual power of the creative mind centered in the head - in a sense, the power of utterance, the power of the Word. The upward-pointing star thus emphasizes the connection between human mentality and the function of imagination.
In the down-pointing star, imagination arouses and sustains the generative functions in the realm of material production and pleasure. It symbolizes creation and building for their own sake, or under the spur of material goals - which ultimately leads to self-destruction. It leads to self-destruction because the generative power of life or material productivity belongs to the involutionary - not evolutionary process.
What is important by the time the level of the quintiles is reached is not the 'mindless' proliferation of life-forms, but fulfillment of the truly human potential achieved by exercising the faculty of conscious mental creation.
Thus, the upward-pointing star shows the whole human organism transformed into a dynamo generating power to sustain the creative will, indeed the 'light' of the 'starry' being. This star radiates light; similarly, the truly creative person emanates a world-transforming energy. He or she has not only had vision trine and given it definite form square , but is also able to fecundate with it the substance of society, the collective mentality of fellow human beings.
When we approach quintiles in birth-charts and especially, as we will see in a moment, quintile-based patterns, we are not looking for literally upward or downward pointing star-patterns. We should instead realize that a quintile can operate - if it operates at all - in one of two basic directions or polarities. The polarization is similar to what we found at the opposition: the evolutionary process either progresses or regresses.
Here progress is symbolically identified with the head, with the spiritual-mental or conscious aspect of man, with the activation of Vibration Five or Mind - which is a spirit- emanated power to be used in the context of a large evolutionary process. Mind at the level of the quintile or Vibration Five does not mean mere memory, or the simple or even complex association of sense perceptions into intellectual patterns - no matter how superficially satisfying or even exciting such activity may be.
When fully developed, it leads to truly creative not merely productive activity that is, activity in terms of creative spirit, activity therefore transparent to individual purpose. Regression, on the other hand, identifies creativity with an earlier process: the generation of 'life. Moreover, since the quintile is the first aspect of the evolutionary series not also found in the devolutionary sequence, it contains the potentiality of victory over nature or materiality, whose tendency at this stage of the devolutionary process is toward disintegration and uniformity entropy.
Since the challenge of the square was to overcome inertia - the inner mental inertia of old, inherited assumptions of what can and cannot, should and should not be done - a dynamic momentum of conquest and overcoming had to be established. It in turn may develop its own inertia resistance to change , and a pattern of activity for the sake of activity may develop.
The consciousness may restlessly yearn for activity only for the sake of the excitement of the actor, and at the level of the quintile, this is most likely to be in terms of intellectual, rather than truly mental, excitement and activity. Such a pattern reveals a temporary or permanent inability to function positively at the level of the quintile. Moreover, it can thwart the process of transition from the quintile to the sextile.
As we will see later on, the level of activity represented by the sextile brings the individualized consciousness to a point at which it should feel the need to participate in self-encompassing processes of universal evolution by expressing its own essential genius in harmonious relation to these larger processes. Thus, Vibration Five, Mind, can operate in one of two ways: in terms of purely material, intellectual or selfish desires regression , or by expressing one's creative genius progression or forward evolutionary motion.
The expression of genius becomes possible only after what is represented by the square has been 'squarely' met, and a definite reorientation of consciousness and activity away from conquest and overcoming necessary at the level of the square has been accomplished. Something truly creative can be brought into being only after the inertia of the past that prevented it has been overcome square and the new possibility thus liberated is recognized as something that can indeed happen or be done, This recognition, moreover, must occur in a new context - the context of a truly evolutionary process in which human beings create in conscious, individualized and mental ways.
Practically speaking, this means that when two or more planets or the horizon and meridian in a birth-chart form quintiles - and they should be no more than 20 or 30 over or short of exact, and preferably less - the types of activity the planets signify in the total life and personality can potentially open doors to the influx of creative spirit. But the potentiality may not be actualized if some stronger or more basic factor in the life or chart effectively blocks this influx or the expression of it, or if the person has not yet fully met the challenge to forceful, individualizing action presented by the square that is, if he or she has not yet emerged from the sea of collective activity and consciousness.
These last-mentioned considerations are the primary reasons why astrologers tend not to use the quintile aspect.